Okay as part of my PDP assessment for my BA Hons I'm going to review a selection of illustrator's websites, to analyse the weak points and strengths so that when I make one or others decide to make one then they will know how to go about it. I haven't seen any terrible ones in all honesty.
Sam Denmark:
Starts out bad since the home page is just a title, you have to click the title to access the gallery but there's no indication that's what you can do. I even recognise the font of the title, I don't know if it shows character or if it's unoriginal but its a strange choice. So right from the start I'm looking at a bad and mundane looking page. What's worse is that this page gives me a pop up of mini menus, such as gallery and contact. Although his gallery is eclectic it with a splash of thumbnails for his work it's bad that when I blow up the images they are all of various sizes, so I had to keep zooming in and out with the browser to get a better look of individual sizes that would be better if they were kept consistent. (Sam, if you're reading this I want you to know that I love you and I think your work deserves better, but it's not all bad!)
The good thing is that he has the essentials and more, such as a news/awards section (good for showing experience or your history of work as you would a CV). He's also got links to his other sites and a "contact" and "about" page with a photo of himself, as do all the people I will mention on this post.
Lois Van Baarle:
Unlike Sam's there's a good illustration used as a wallpaper with a menu on the side listing all the things I can look at, including links, which are shown as coloured icons that automatically creates a mood and accentuates the wallpaper illustration. I really like how she has listed her original, commissioned and rough doodles as separate galleries. Having mentioned that, something doesn't feel right. Intuitively I prefer to see a list of thumbnails or mini image previews of the art. The art is amazing but it's just not intuitive to browse through. On another note I love the simplicity of the name she uses ("Loish") and her URL name. It's easy to remember and that helps with good business.
Jennifer Healy:
She combines the best of Sam and Lois, an attractive home page with the essential pages listed on a menu at the top of the page, consistent at all times even with links listed at the bottom. The page doesn't evoke a mood like Lois' does but when I click any of the listed galleries it takes me to an Artist's statement with a selected image alongside a neat order of previews for the rest of the work.
Unlike Sam's when I click the cropped previews to see the full images the sizes remain consistent with only the width stretching for landscape paintings. Emma Reynolds has a very similar style as well and is clever to include her homepage as the portfolio. I do think Healy bests it since it's intuitive to browse the art work up close with hers.
Wednesday, 18 December 2013
Saturday, 14 December 2013
Woo Hoo, Got Business Cards from Moo!
My business cards have arrived, I'm not sure I will end up using them or not but the only way for me to understand these things is to just design one and get it printed. There is a site called Vista Print that specialises in print however I used Moo since the quality of their card appealed to me. http://uk.moo.com/ I went for the mini cards and emulated it after the way Kev Crossley has his, in retrospect that may have been a bad idea. However the humble and distinct size connected to me more, it felt fun to hold and I want those feelings to translate to my contacts.
Now it's time to review.
Now it's time to review.
Pros:
1.) Good quality card
2.) Visually appealing
3.) Representative of myself
Cons:
1.) Too small (for reading and as a canvas)
2.) No space to write notes on
3.) No phone number as a contact
4.) Image is cropped for design compatibility
Saturday, 7 December 2013
Draw North West
Recently I've been getting to know the Draw North West group. I've met illustrators such as Emma Reynolds, Alan Dalby and Matt Bray (who designed the poster below). That's just to name a few. It's a great meet up and chance to talk to like minded people and experienced professionals. From those who I spoke to in November they gave me advice such as, expanding my vocab (image making can be language in itself you see), be pragmatic, always start drawing with the shape first, the rest will follow (as I say, see the gestalt) and my favourite tip... draw everyday! With a pen! No matter what! Next time I go I'll get photos, it will have to be in the new year now.
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